Afro Pick: Bantu Knots and the Underground Railroad
Yvonne Shortt | NYC | USA
African American Marbleization- An Act of Civil Disobedience: Bantu Knots & the Underground Railroad uses clay harvested from a creak, a sculptural handle created with this harvested clay, galvanized steel, and marble dust to create a conversation with the community.
The Afro pick is rooted in African heritage. The Bantu Knots sculpture draws from the rich heritage of picks 6000 years ago when handles were carved with symbols or people.The steel teeth are rooted in patents created in the US in the late 60's and 70's that made pick teeth stronger. The hair is based on research demonstrating during slavery it was used for sustenance (rice hidden in braids for long passages) and messages. The message in this sculpture's hair shows the route slaves took along the Underground Railroad to freedom in NYC and on to Canada. The footprints in the sculpture were created from a doll the artist's children played with more than a decade ago. The marble dust for the sculpture speaks to value, capitalism, and systemic erasure of African Americans in museums and public art.
"The cost of my woman hours can not be calculated, packaged, or commoditized."
WATCH: Bantu 1A Harvestin Clay
WATCH: Bantu Knots Sculpture Discussed
WATCH: Bantu Knot Guerilla Installation
Production Credits & Technical Details
Marble Dust. Steel. Wood. 6’x’2 x’3
about the artist
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